Jessica: A Sugar Skull and Scream and Scream Again

In yesterday's post, I talked about meeting Corey and Jessica in front of Penn Station, and we featured two of Corey's tattoos. Today it's Jessica's turn. 

She praised to no end the tattoo artist who did this sugar skull, her friend Chris Handford at Perkins Road Parlor in Baton Rouge, Louisiana.

"They do a lot of traditional and he's originally a painter, so we just said, 'Do Whatever," and he drew up these awesome things ... he's actually a really new artist, but I would say already, skills-wise, far beyond a lot of people who have been doing it longer, especially in the South."

Jessica also shared this incredible piece on her right calf:

Jessica credited this tattoo to a different artist, Richard Hart, who currently works in Baton Rouge out of Art Addiction Tattoo Studio.

Jessica explained the story behind this interesting piece:

"[Richard Hart] is excellent at photo-realism. I found this ... it's from a movie called Scream and Scream Again (1970).

I just loved it and he drew it up on the spot ... I've never seen anyone just draw it, make a quick stencil, look at a computer, and then go off the picture itself. It looks exactly like the picture; I mean, it's insane. Insane. He's definitely awesome!"

It's always great to hear tattooed folk talk so exuberantly about how much they like their artists, and it was certainly nice to encounter some talent from a part of the country we don't see too often up here in New York.

Thanks to Jessica (and Corey) for sharing their tattoos with us here on Tattoosday!

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Magie's Unique Sugar Skull, Inked by Big Ant (1978-2008)

I was a happy little inkblogger last Friday night when I made it to the 4th anniversary group art show at Tattoo Culture in Williamsburg, Brooklyn.

Happy, because I got to meet the awesome Marisa Kakoulas from the fabulous Needles and Sins tattoo blog, along with the equally-cool Brian Grosz, who is also a major creative force behind the site.

And happy because I was in a bright room with art on the walls, created by talented tattooists, and I was surrounded by people with incredible body art.

But therein lies the conundrum: great tattoos, in a hip tattoo setting, are top quality and, despite Tattoosday's success, I am still reluctant to whip out the Polaroid digital camera when, for all I know, the ink around me may have been professionally photographed and featured in glossy tattoo magazines.

So I had resigned myself to leave sans photos, knowing I had a groovy time and was able to meet other tattoo writers, when I noticed a very interesting sugar skull on the back of a young woman's right arm. Voila:


Of course I chatted a long time with Magie before I asked her if I could snap a picture, so I learned a bit about the tattoo before I asked.

Magie Serpica is an artist and tattooist who works at the newly-opened Bound for Glory Tattoo Studio in Staten Island.


The shop was co-founded by Nick Caruso who also tattoos at Flyrite Studio in Brooklyn. One of Nick's tattoos appeared here back in July on Tattoosday.

One of Magie's paintings was hanging on the wall at Tattoo Culture:

(reprinted with permission of the artist)

We talked at length about tattoos, what she called an under-served market on Staten Island (they are the first full-custom shop) in the borough (no flash on the walls, please) and have a promising future ahead.

We also discussed how difficult it has been in the past to be a female tattoo artist, how frustrating it is not to be taken seriously, and how Kat Von D. and the multitude of tattoo reality shows have helped break down the stereotypes and allowed Magie, as a female artist, to receive more respect as an artist.

Like most tattoo artists, Magie is covered in ink, with no idea how many tattoos she has ("If you can still see skin, it's not enough").

The sugar skull in question was tattooed by Anthony Gregory, aka Big Ant, a Staten Island artist who tragically passed away last year after falling ill in Las Vegas (see the sad news reported here).


She had asked him to give her a sugar skull and she had a general idea about his style, so she gave him total artistic freedom. The end result was fascinating - a unique, almost post-modern interpretation of a classic tattoo design. The angled perspective and the depth to the eyes give this tattoo a greater three-dimensional feel than your standard sugar skull.

I also like how the rose is just as important as the skull, its stem wrapping around it and adding another layer of depth.

I thank the good people at Tattoo Culture for opening their doors and allowing me the opportunity to meet some great people.

A special thanks to Magie for sharing her awesome tattoo with us here on Tattoosday. Be sure to visit her in the new shop, Bound for Glory, in Staten Island.

Here's hoping we'll see more of their work in the future!

Valarie's Sugar Skull

Tattoosday is no stranger to sugar skulls. They are popular tattoos and always welcome additions to the site. It certainly seems, like snowflakes, no two sugar skull tattoos are exactly alike. Clicking here will allow you to see all the sugar skulls in the Tattoosday family.

Well, it certainly has been a while since I posted one here and, running into Valarie on the subway platform at West 4th Street, afforded me the opportunity to capture another for Tattoosday readers to admire:


Valarie is working on a half-sleeve and has both feet inked. She is particularly sentimental about this sugar skull because it was the first tattoo she received.

Like many folks, she loves the color and symbolism of Mexican Catholic art and the way they translate so well into tattoos. This traditional piece is on her inner left forearm and she has a sacred heart on the outer side.

Alex Franklin at Brooklyn Ink is the artist of this lovely tattoo.

Thanks to Valarie for sharing her first tattoo with us here on Tattoosday!

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!